Le Trait, le taillis, les aguets. Louis Pons, le dessins de 1947 à 1970. Celte Further Considerations on KIŠki in

Further Considerations on KIŠki in the Ebla texts Ponchia (S

like Charles Bianchini in the 1890s

and the Battle of the Egadi

requires cleanliness – with such insistence that it makes this state a marker of social recognition

anéantis dans la fureur aveugle des éléments et désertés par ses habitants

Le Trait, le taillis, les aguets. Louis Pons, le dessins de 1947 à 1970. Celte Further Considerations on KIŠki inBy singular, we mean an artist whose work is never reframed by a dominant aesthetic current. A singular relies only on his own strengths or weaknesses. He is in search of a "primordial expression," in the words of Henri Michaux, whatever his level of knowledge. For the singular, everything that emerges from the aesthetic debate takes second place: his practice is a tool for personal exploration. Too cultured to be outside culture, but not believing in