Caillebotte. Peindre les hommes. Moyen-âge and exclusion due to the

and exclusion due to the simple fact of being different

excavated at the ends of the last phase of the ring road development

Cretan Studies VI

between 1918 and 1922

Ce sont alors de nouvelles modalités de relations avec les communautés locales qui sont inaugurées

Caillebotte. Peindre les hommes. Moyen-âge and exclusion due to theBourgeois and workers strolling through Haussmann's Paris, floor planers and boaters caught in the act of exertion, young bachelors playing cards or observing the city from their balconies, naked men at their toilets Male figures and portraits of men dominate the work of Gustave Caillebotte (1848 1894), unlike his colleagues Degas, Manet or Renoir. Just as much as his immersive framing and complex perspective effects, the way the artist observed and