De Bellini à Titien: Texture, forme, couleur dans l'art vénitien. Amérique du nord - le "Papyrus de Maïherpéri"

- le "Papyrus de Maïherpéri" (Caire

Letteratura italiana e strierera

du XVIe au XVIIIe siècle

recently restored

deux biais qui ont souvent marqué les travaux historiographiques

De Bellini à Titien: Texture, forme, couleur dans l'art vénitien. Amérique du nord - le "Papyrus de Maïherpéri"From Rubens to Velzquez, from Poussin to Delacroix (through Veronese), European genius drew its substance from 16th century Venetian art. A certain relationship to the object and therefore to the concept was undone in these decisive years when it was the notion of figure that oscillated: in Giorgione, in Titian, the progressive blurring of contours canceled the opposition of form and content and created a surface without hierarchy, isotropic. The