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La Pointe et l'ombre. Dessins nordiques du musée de Grenoble XVIe-XVIIIe siècle. Photographie 179 Marie-Françoise BESNIER

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179 Marie-Françoise BESNIER

the great scholar was aware of this: neither the Vedic god Rudra

Revue de Paris

to the poets

to be managed and treated in order to preserve them with dignity and to be studied (

La Pointe et l'ombre. Dessins nordiques du musée de Grenoble XVIe-XVIIIe siècle. Photographie 179 Marie-Françoise BESNIERThe third and final part of the triptych dedicated to the study of the collections of old drawings at the Grenoble Museum, after two works devoted respectively to Italy and France, this catalog focuses on the Nordic schools' collection, Dutch, Flemish, and German sheets, mostly from the Mesnard bequest. These one hundred and twenty sheets, spanning the 16th to the 18th century, are mostly Dutch and give a large place to the national landscape, vast

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